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Over the last two decades European films have lost two-thirds of the cinema-going audience to American films. Among the different approaches and cost structures of the European and American industries there is one area where the US invest significantly more than Europe: development. This text focuses on this critical stage of the film-making process. It is based on extensive research and interviews with more than 70 industry practitioners. It provides details of national and pan-European funds which are available for film development, as well as information about training initiatives for...

The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system.