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On the one hand, Louis Aragon (1897 1982) was iconoclastic: a founding member of the Surrealist movement, the son of a man who was masqueraded as his godfather for the first nineteen years of his life, and a bisexual who came out following the death of his wife. On the other hand, like so many other writers who as young men witnessed the slaughter of World War I at close quarters, Aragon was profoundly marked by the experience. Within his multifaceted oeuvre, the overarching theme of war is one permanent and unchangeable facet of this work and while many books have been published on Aragon,...

This collection of essays maps and analyses the ways in which cultural texts of all kinds are used to respond to, engage with and challenge crises in the contemporary Francophone world.