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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity.

Specifically, Dalle Vacche explores Jean-Luc Godard's...

Winner, A Choice Outstanding Academic Book

As scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. Animated by a luminous goddess at its center, the diva film provided a forum for denouncing social evils and exploring new models of behavior among the sexes. These melodramas of courtship, seduction, marriage, betrayal, abandonment, child custody, and public reputation, to mention only a few themes, offered...

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

• the development of colour technology


• how visual stule was affected by the shift from black and white to colour


• colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima


• colour in the films of Godard, Hitchcock, Almodovar and many more.

Including case...