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Two women arrive in London, to pursue separate ambitions. After experiencing tragic personal events, they meet. Both, unwittingly, then willingly, are part of a plan hatched by the mysterious Master, who initiates them separately into the mysteries of the black arts.

Initially, they take revenge upon the perpetrators who had wronged the younger girl. Then, however, the real plot is put into place; a vicious, unrelenting path of murder and mayhem upon London. The aim is to cause maximum chaos and fear in a community of six million, whilst evading the pursuit of the worlds finest police...

DI Marshall is a police officer with a difference - she is ambitious, she is a woman, and she is black. In the most difficult and personally dangerous case of her career, she finds herself up against a serial killer on the loose in the mean streets of South London and Soho, and also against a jealous and prejudiced senior colleague. The story builds to a shattering climax - and one of the most unexpected twists in the tail of any modern thriller. Andrew Woodcock is a master of creative tension, and THE THIRD SEAL a gripping page turner of a novel

The borderline between the periods commonly termed -medieval- and -Renaissance-, or -medieval- and -early modern-, is one of the most hotly, energetically and productively contested faultlines in literary history studies. The essays presented in this volume both build upon and respond to the work of Professor Helen Cooper, a scholar who has long been committed to exploring the complex connections and interactions between medieval and Renaissance literature. The contributors re-examine a range of ideas, authors and genres addressed in her work, including pastoral, chivalric romance, early...