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"Recklessness and rigor, in equal measure, mark the stirring poetics of Andrew Hudgins in this fine new book. Hudgins can wrestle a rhyme scheme into submission with one hand tied behind his back and can penetrate the black heart of history with a single, subtly rendered detail. He laughs with Democritus and weeps with Heraclitus and, line by distillate line, contrives a tonic antidote to "the acetone / of American inattention." -- Linda Gregerson
In A Clown at Midnight Andrew Hudgins offers a meditation on humor with a refreshing poignancy and cutting wit. He touches on love and nature,...

The poems in Babylon in a Jar extend the forceful explorations that Andrew Hudgins began with Saints and Strangers, his first book and a runner-up for the Pulitzer Prize in 1985. Since then, he has probed the nature of Southern experience, the conflict between religion and worldliness, the origins of poetry, the exaltations and perils of family. In this volume he brings such issues down to the old conflict between order and disorder. He responds with passion to the natural world, to history, to inheritance: "before he flooded the rubble, he swept up the dust of Babylon / to give...

Andrew Hudgins imagines himself in the life of a now largely forgotten poet, Sidney Lanier, who served as a soldier for the Confederacy.

Better known for writing in a variety of other genres, James Agee always thought of himself as essentially a poet. Winner of the Yale Younger Poets competition in 1934 for Permit Me Voyage, Agee was, in the words of editor Andrew Hudgins, aas restless in his poetry as he was later in his prose, exhibiting a variety . . . that we expect from the protean mind that excelled in so many different kinds of writing.a Ranging from intense religious sonnets to lyrics for musical comedy, Ageeas verse takes us into the heart of his unique genius, what Robert Fitzgerald called his asense of being . . . a...