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What happens to books as they live in our long-term memory? Why do we find some books entertaining and others not? And how does literary influence work on writers in different ways? Grounded in the findings of empirical psychology, this book amends classic reader-response theory and attends to neglected aspects of reading that cannot be explained by traditional literary criticism.

Reading arises from a combination of two kinds of mental work: automatic and controlled processes. Automatic processes, such as the ability to see visual symbols as words, are the result of constant...

Named a CHOICE Outstanding Academic Title for 2009 Romanticism and the Rise of English addresses a peculiar development in contemporary literary criticism: the disappearance of the history of the English language as a relevant topic. Elfenbein argues for a return not to older modes of criticism, but to questions about the relation between literature and language that have vanished from contemporary investigation. His book is an example of a kind of work that has often been called for but rarely realized--a social philology that takes seriously the formal and institutional forces...

What happens to books as they live in our long-term memory? Why do we find some books entertaining and others not? And how does literary influence work on writers in different ways? Grounded in the findings of empirical psychology, this book amends classic reader-response theory and attends to neglected aspects of reading that cannot be explained by traditional literary criticism.

Reading arises from a combination of two kinds of mental work: automatic and controlled processes. Automatic processes, such as the ability to see visual symbols as words, are the result of constant...

Named a CHOICE Outstanding Academic Title for 2009 Romanticism and the Rise of English addresses a peculiar development in contemporary literary criticism: the disappearance of the history of the English language as a relevant topic. Elfenbein argues for a return not to older modes of criticism, but to questions about the relation between literature and language that have vanished from contemporary investigation. His book is an example of a kind of work that has often been called for but rarely realized--a social philology that takes seriously the formal and institutional forces...

Surprisingly little has been written about homosexuality in British Romantic writing, and, similarly, little discussion has emerged about homosexual themes in the lives and poetic careers of the major Romantics. In Romantic Genius, Andrew Elfenbein explores the correspondence between the stereotypes applied to the "genius" and those applied to the homosexual, showing the centrality of disreputable desires to the works of Romantic male authors--from William Beckford to Samuel Taylor Coleridge to William Blake--as well as to the writings of lesser-known but equally significant female...

Surprisingly little has been written about homosexuality in British Romantic writing, and, similarly, little discussion has emerged about homosexual themes in the lives and poetic careers of the major Romantics. In Romantic Genius, Andrew Elfenbein explores the correspondence between the stereotypes applied to the "genius" and those applied to the homosexual, showing the centrality of disreputable desires to the works of Romantic male authors--from William Beckford to Samuel Taylor Coleridge to William Blake--as well as to the writings of lesser-known but equally significant female...

Literary-historical account of Byron's influence on Victorian writers, concentrating on class and sexuality.

This book is the first full-length study of Byron's influence on Victorian writers, concentrating on Carlyle, Emily Bronte, Tennyson, Bulwer-Lytton, Disraeli and Wilde. It has two emphases--to demonstrate the ways that institutions of cultural production mediate the access that later writers have to earlier ones, and to suggest the many different responses that Victorian writers had to Byron and to his celebrity in British culture. It argues that defining oneself against Byron became a ritual of the Victorian authorial career. Victorian writers did not reject Byron outright: instead, they...