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Desire and Avoidance in Art argues that while early developmental traumas can produce life-long creative endeavors with striking aesthetic results, they may also, for the male artist, result in destructive relations with women. Brink introduces the scheme of personality formation as found in the work on infant and child development of John Bowlby, Mary Ainsworth, Mary Main, Patricia Crittenden, Allen N. Schore, and others to explore a new venture in psychobiography. He effectively uses the concept of -anxious attachment- to describe mother-infant/child relations and their sequelae....

The Bertrand Russell Archive has as before, yielded some interesting unpublished material ... this volume lavishly footnoted, elegantly produced and a pleasure to read, is a real treat for anyone interested in Russell or in that strange remote country, Edwardian England. -- London Times Higher Education Supplement

Claude Lorrain (1600-1682), an eminent seventeenth-century landscape painter, was an equally talented graphic artist. Lorrain's etchings match the mastery and execution of his paintings and yet are largely unrecognized by contemporary collectors and art historians. Andrew Brink, an astute and discriminating art collector, amassed an impressive collection of etchings, engravings, and mezzotints by European master printmakers from the sixteenth century onwards. The keystone works in the Brink Collection, now housed in Guelph, Ontario's Macdonald Stewart Art Centre, are by Claude Lorrain. In Ink...

Contains a great deal of varied and interesting writing from Russell's first decade as an independent thinker the great themes of God and freewill, immortality and conscience are rehearsed with charm and penetration Russell shows an exuberant delight in ingenious reasoning, expressed in the fewest possible words and in the least encumbered way, that was to remain with him as a kind of trademark -- Anthony Quinton, The Times