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A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.

Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding...

A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.

Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding...

With a career spanning more than five decades, director and cinematographer Michel Brault is one of the most influential figures in Quebecois cinema. Brault s early works, including Les Raquetteurs and Pour la suite du monde, reflect a previously unacknowledged and unfulfilled need on the part of Quebecois society to see its own culture depicted onscreen, and helped spark a cultural renaissance in Quebec. His 1974 fiction feature Les Ordres, which deals with the Quebec Liberation Front crisis and the invocation of the War Measures Act, has consistently been listed as one of the best...

From the cheaply made "tax-shelter" films of the 1970s to the latest wave of contemporary "eco-horror," Canadian horror cinema has rarely received much critical attention. Gina Freitag and Andre Loiselle rectify that situation in The Canadian Horror Film with a series of thought-provoking reflections on Canada's "terror of the soul," a wasteland of docile damnation and prosaic pestilence where savage beasts and mad scientists rub elbows with pasty suburbanites, grumpy seamen, and baby-faced porn stars.

Featuring chapters on Pontypool, Ginger Snaps, 1970s...

From the cheaply made "tax-shelter" films of the 1970s to the latest wave of contemporary "eco-horror," Canadian horror cinema has rarely received much critical attention. Gina Freitag and Andre Loiselle rectify that situation in The Canadian Horror Film with a series of thought-provoking reflections on Canada's "terror of the soul," a wasteland of docile damnation and prosaic pestilence where savage beasts and mad scientists rub elbows with pasty suburbanites, grumpy seamen, and baby-faced porn stars.

Featuring chapters on Pontypool, Ginger Snaps, 1970s...