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The first section of the book, "War Stories," offers six stories enmeshed in the vola-tile politics of the 1970s and 1980s. The second section, "Tales of the Out & the Gone," reveals Amiri Baraka's increasing literary adventurousness, combining an unpredictable language play with a passion for abstraction and psychological exploration.

Throughout, Baraka's...

In the grand, narrative tradition of Gwendolyn Brooks and Edward Sanders, this riveting collection of poetic plays and photo-documentary poems exposes the human cost of corporate greed and gives voice to the growing crisis faced in communities across America.

-The several long poems that make up this book build into each other with devastating force and understatement, breaking poetic boundaries, regenerating the rich tradition of working-class literature.---Adrienne Rich

Mark Nowak is the author of the critically acclaimed debut book of poems Revenants, the...

So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From...

As they offer an understanding of the political turbulence of his times, these interviews provide special insights into Baraka's works, his anger, and his career. Not only does Baraka criticize and explain his most celebrated works, but also his comments supply a rich...

A collection of four plays by contemporary playwright, screenwriter, and director Ron Milner. Much of Black literature from the 1940s through the 1960s deals with the search for identity and asks the question, Should Blacks define themselves in relationship to white people and white culture? In dramatizing the struggles and desires of the Black working class and lower middle class, renowned Detroit playwright Ron Milner responds to this question by letting Black culture - Black music in particular - be not only his subject but part of his form of expression and way of being in the world....

A collection of four plays by contemporary playwright, screenwriter, and director Ron Milner. Much of Black literature from the 1940s through the 1960s deals with the search for identity and asks the question, Should Blacks define themselves in relationship to white people and white culture? In dramatizing the struggles and desires of the Black working class and lower middle class, renowned Detroit playwright Ron Milner responds to this question by letting Black culture - Black music in particular - be not only his subject but part of his form of expression and way of being in the world....