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The Bigamist (1953), a film about a salesman who is secretly married to two women, also tells the story of gendered relations in post-war America. Amelie Hastie explores the film in the context of independent Hollywood and relates it to the director Ida Lupino's personal and professional history.

In "Cupboards of Curiosity "Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and others appropriated personal or "domestic" cultural forms not only to publicize their own achievements but also to reflect on specific films and the broader film industry. Whether considering Colleen Moore's thirty-six scrapbooks or Dietrich's eccentric book "Marlene Dietrich's ABC," Hastie...

In "Cupboards of Curiosity "Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and others appropriated personal or "domestic" cultural forms not only to publicize their own achievements but also to reflect on specific films and the broader film industry. Whether considering Colleen Moore's thirty-six scrapbooks or Dietrich's eccentric book "Marlene Dietrich's ABC," Hastie...