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Before his death in 1988 at age 38, Allon White had become known as one of the most important literary and cultural critics of his generation. This collection represents a summation of the work which, as Stuart Hall explains in the Introduction, transformed cultural studies in the 1980s. White's central concerns--with writing, carnival, the body, hysteria, and memory--recur with differing inflections in the pieces here. They range from a discussion of Julia Kristeva's work to language and location in Bleak House, from a Thomas Pynchon short story to the "seriousness" of academic language....