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This book investigates the ways in which the fine arts and the science of anatomy were interrelated in early nineteenth century Britain. It was an era in which the two disciplines were closely connected and mutually dependent. Anatomy students attended drawing classes at the Royal Academy and other institutions to develop the artistic skills they needed to accurately depict their specimens. Artists attended private anatomy schools to study the construction of the human body, so that their representations of action and expression could be more convincing. Their personal and professional lives...