Wyniki wyszukiwania:

Evans' strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today.

In later life, while living in London, George Claessen returned to poetry, often interrogating the same metaphysical themes he explored in his abstracts. The fruits of these endeavours resulted in a number of volumes, including, Poems of a Painter published in 1967, Poems about Nothing (1981), Collected Poems, (1995) and subsequent inclusion in various poetry anthologies. Describing his desire to use poetry as a creative alternative to his visual artistic work, he memorably said that it was, '...the outcome of an urge for expression in another form - a phenomenon not uncommon in painters,...