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The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a...

The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a...

The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a...