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Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupančič considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity.

Comedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of...

Die Figur der Antigone ist längst zum Sinnbild subjektiv-individuellen Aufbegehrens gegen staatliche, politische oder patriarchale Herrschaftsstrukturen geworden. Antigones Beharren, ihren Bruder Polyneikes gegen den Willen und das Dekret Kreons zu begraben, darin ihren »andersartigen« Gesetzen zu folgen und für diese mit ihrem eigenen Leben einzustehen, bilden seit Sophokles den Ausgangspunkt zahlreicher künstlerischer, literarischer und theoretischer Auseinandersetzungen.

In der psychoanalytischen Deutung nimmt Antigone spätestens seit Lacan eine ebenso wichtige Rolle...

Consider sublimation -- conventionally understood as a substitute satisfaction for missing sexual satisfaction. But what if, as Lacan claims, we can get exactly the same satisfaction that we get from sex from talking (or writing, painting, praying, or other activities)? The point is not to explain the satisfaction from talking by pointing to its sexual origin, but that the satisfaction from talking is itself sexual. The satisfaction from talking contains a key to sexual satisfaction (and not the other way around) -- even a key to sexuality itself and its inherent contradictions. The...

What is it that makes Nietzsche Nietzsche? In The Shortest Shadow, Alenka Zupančič counters the currently fashionable appropriation of Nietzsche as a philosopher who was "ahead of his time" but whose time has finally come -- the rather patronizing reduction of his often extraordinary statements to mere opinions that we can "share." Zupančič argues that the definitive Nietzschean quality is his very unfashionableness, his being out of the mainstream of his or any time.

To restore Nietzsche to a context in which the thought "lives on its own credit,"...