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Alastair Reid began publishing poetry in the "New Yorker" in 1951 and has since contributed reviews, translations, stories, and reportage as well. Having lived variously in Scotland, the United States, Spain, France, Greece, Switzerland, Central and South America, Reid has until recently called Magazine his only permanent address.

Many of the poems in "Weathering" arise from Reid s itinerant life. Chosen by the poet from previous books published on both sides of the Atlantic since the 1950s, they range from the windowed corridors of New York city to Isla Negra, Chile, where the poet sits...

These lively and eclectic narratives, by the author of Shadow Without a Name, move from the scorching heat of the Gobi desert to the glacial heights of Mount Everest: here, among others, are the stories of a Scottish engineer who builds an exact replica of the city of Edinburgh in the dunes; of a dying, cross-dressing pilot who allegedly climbs Mount Everest and then mysteriously disappears; and of a monk who conjures the devil to prove the devil's existence.
Based on history, legend, and an awe-inspiring power of invention, Antipodes delights, terrifies, and...

Extravagaria marks an important stage in Neruda's progress as a poet. The book was written just after he had returned to Chile after many wanderings and moved to his beloved Isla Negra on the Pacific coast. These sixty-eight poems thus denote a resting point, a rediscovery of sea and land, and an "autumnal period" (as the poet himself called it). In this book, Neruda developed a lyric poetry decidedly more personal than his earlier work.

Legacies is the author's own selection from his work, and represents the many facets of Padilla's art: his lyrical love poems, his almost Audenesque meditations on other poets, his deceptively simple verses about history.