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Expanded and updated from the earlier French edition Litteratures d'Afrique noire (1995), African literatures are presented in a new perspective focusing on the dialogue between languages and literatures. Orality is not always traditional, manuscripts are read aloud, and books have often been written in local languages, as well as in colonial languages. This book examines the dialogue between literatures written in different languages: Thomas Mofolo wrote in Sesotho and Sol Plaatje wrote in English but their novels Chaka (1926) and Mhudi (1931), should be read in counterpoint. The same could...

Ebrahim Hussein is the best known Swahili playwright, and Tanzania's most complex literary personality. Known first and foremost as a dramatist, he is also a theorist whose dissertation on the theatre in Tanzania remains the standard reference work. His plays are a corpus of theatrical material with great significance to an understanding of Tanzania's political and social development in relation to the Swahili/Islamic coastal culture, of which he is a part. Alain Ricard is Research Professor of the CRNS of the African Studies Centre of the University of Bordeaux. In this sympathetic study of...

Les deux histoires de ce recueil, -Le mystere du tresor de Sistrius- par Anne de Tyssandier d'Escous et -Un mystere peut en cacher un autre- par Alain Ricard, se suivent dans le temps et concernent un tresor de l'epoque gallo-romaine cache pres de Montsistrier, a Menet, dans le Cantal...

This text provides a view from below on the new forms of theatre in West Africa. Throughout, the voices of the theatre practitioners are heard, reminiscing, explaining, philosophizing and grumbling. Their personalities come across vividly, and their views play a vital role. North America: Indiana University Press