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'York Notes' offer an approach to English literature that aims to fully reflect student needs. They are filled with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis.

The nine essays in this volume make significant contributions to the development of contemporary literary theory and demonstrate how a range of new approaches can be applied to modern British drama. In addressing the questions of power, subjectivity, sexuality, psychoanalysis, and the nature of the dramatic text, the contributors reveal how much modern drama can be re-read to discover its radically subversive characteristics. Their conclusions challenge accepted interpretations and suggest major revisions of the processes of understanding and staging drama.