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Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What's involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience's empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of...

There will come a time when everything we know and love will cease to exist. But how will such a disaster transpire - by nuclear warfare, ecological collapse, technological failure, perhaps pandemic? And how would we cope in our last hours, in catastrophe's wake? This theme of finality is explored in Nuclear Town USA, a collection of apocalyptic and dystopian fiction set across a diversity of scenarios and backdrops. From fast-paced thrillers to dark reflections, each story intriguingly captures frightening alt-realities surrounding humanity's twilight. Some of the brightest new stars in...