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After the Council of Chalcedon in AD 451, churches using the Syriac language came to represent the unorthodox. Before this epoch-making Council, 150 years had past in which the church language in Syria had been primarily Greek, but at the same time the diversity of languages, cultures and theologies had been huge - sometimes creating tension, especially when biblical texts were to be translated or interpreted. This early period and the many different sources that contribute to its understanding (in Greek, Syriac, Latin and Armenian), have been the subject of a great part of Henning Lehmann's...

'A lover of light': in 1912, a French critic used these words to describe the great Danish painter Peder Severin Kroyer, who had close ties to the French art scene for more than two decades. Kroyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Kroyer's own development as a painter, on the artists' colony in Skagen, and on danish art history in general. In Kroyer and paris: French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Kroyer's artistic development from the Golden Age tradition...