The Two Cines Con Niño: Genre and the Child Protagonist in Fifty Years of Spanish Film (1955-2010)

ISBN-13: 9781474436144 / Angielski / Miękka / 2020 / 244 str.

Erin K. Hogan

Spis treści

Acknowledgements; List of illustrations; Introduction: The Two cines con niño: The Ventriloquism, Dialogism and Biopolitics of the Children of Franco in Genre Film; Chapter One: The Black Market and the Stolen Children of Franco in Demonios en el jardín (Gutiérrez Aragón 1982); Chapter Two: The Appropriative and Carnivalesque Ventriloquism of Altar Boys from Joselito in El pequeño ruiseñor (del Amo 1956) to Ignacio in La mala educación (Almodóvar 2004); Chapter Three: Ventriloquism, Kidnapping and the Carnivalesque in Marisol’s Tómbola (Lucía 1962); Chapter Four: Adopting, Adapting, Appropriating in the cines con niño: Un rayo de luz (Lucía 1960) and El viaje de Carol (Uribe 2002); Chapter Five: Prosopopeia and the Gothic Child from Marcelino pan y vino (Vajda 1955) to El orfanato (Bayona 2007); Chapter Six: Dialogism and Ritual Function of the nuevo cine con niño: El espíritu de la colmena (Erice 1973), Secretos del corazón (Armendáriz 1997) and El laberinto del fauno (Del Toro 2006); Chapter Seven: Queering Postwar Childhood in Urte ilunak (Lazkano 1992) and Pa negre (Villaronga 2010); Chapter Eight: The Transatlantic Dialogism in Narrative and Aesthetics of Bildungsfilms: La lengua de las mariposas (Cuerda 1999 Spain) & Machuca (Wood 2004 Chile), El espíritu de la colmena (Erice 1973 Spain) & El premio (Markovitch 2011 Argentina-Mexico), El laberinto del fauno (Del Toro 2006 Spain-Mexico) & Infancia clandestina (Ávila 2011 Argentina); Conclusion: Spanish Movies: Genre, Nation and Spanish Movie (Ruiz Caldera 2009); Select filmography; Bibliography