'Quesada's The African Heritage of Latinx and Caribbean Literature transforms Paul Gilroy's notion of The Black Atlantic into an Afro-Latino Atlantic…Quesada is able to make a hopeful argument for the possibility of fiction - whether traditional print novels or heritage site oral storytelling - to helpfully respond to and potentially transform the path wrought by this real and symbolic violence.' Tom McEnaney, University of California, Berkeley
1. Fear: Junot Díaz's zombies and les contorsions extraordinaires in 'Monstro'; 2. Commodification: Badagry and the African safari of Achy Obejas's Ruins; 3. Obliteration: Gabriel García Márquez and his Angolan chronicles of a 'Latin-African' death foretold; 4. Archival distortion: The Chicano-Congo Relación of Tomás Rivera and Rudolfo Anaya.