Kategoria BISAC: Literary Criticism >> General

Originally published in 1990. This uniquely fascinating study approaches the problem of autobiography from two directions: first assessing theories of the self, consciousness and language developed by both Freud and Derrida; second through the reading of the autobiographical aspects of their writings. The book begins with looking at the issue of making sense of a life by means of representation, through autobiography, within the field of psychological phenomena – screen memories, mourning, obsession, hysteria, transference. Part 1 focuses on Freud’s case histories and psychoanalysis...

Originally published in 1985. This investigation of Ovid’s fable takes a different tack to previous studies of the love lyric or the themes but looks at the creation of narrative strategies to explain Narcissus’ experience. The story has always been understood as literally impossible but invites readers to ask what is meant by the puzzling tale of deception and death.

The limits placed on the fable by the commentaries of the medieval period allow us to appreciate the narrative expansion of the fable in twelfth and thirteenth-century poetry. Themes in this book are the way the...

Originally published in 1995. V. S. Naipaul, a Trinidadian of Indian descent living in the West, has written in many forms. Through an analysis of five works by Naipaul written in different modes and periods of his life, this study posits a relationship between a cultural condition and a choice of genre and narrative, or more specifically between cultural displacement and the writing of autobiography. Examining an aspect of Naipaul’s development as a post-colonial writer, this book is of interest in exploring the way that concepts of self determine the writing of texts. It considers...

Originally published in 1981. This book looks at the autobiographical work of nine twentieth-century writers – Henry Adams, Henry James, W. B. Yeats, Boris Pasternak, Leiris, Jean-Paul Sartre, Vladimir Nabokov, Henry Green and Adrian Stokes. The author argues that often the writer has shaped his life through his craft, coming to understand the pattern of his own existence through the formalism of language. In each case the writer stamps his personality on the work by mean of a distinctive verbal surface whose discipline enables him to evade narrow egotism and forces both reader and...

Originally published in 1960. Is there an art of autobiography? What are its origins and how has it come to acquire the form we know today? For what does the autobiographer seek, and why should it be so popular? This study suggests some of the answers to these questions. It takes the view that autobiography is one of the dominant and characteristic forms of literary self-expression and deserves examination for its own sake. This book outlines a definition of the form and traces its historical origins and development, analyses its ‘truth’ and talks about what sort of self-knowledge it...