Preface, Furukawa Kaoru; Introduction: Onna Monogatari, Irene González-López and Michael Smith; 1: Dancer, Doctor, Virgin, Wife: Tanaka Kinuyo’s Early Star Image, Lauri Kitsnik; 2: Meetings and Partings: How Tanaka's Films End, Alexander Jacoby; 3: Tanaka and Mizoguchi: Politics and Rebellion in the Early Postwar Era, Michael Smith; 4: The First Female Gaze at Postwar Japanese Women: Tanaka Kinuyo Film Director, Irene González-López and Ashida Mayu; 5: Kinuyo and Sumie: When Women Write and Direct, Ayako Saito; 6: Female Authorship, Subjectiviy and Colonial Memory in Tanaka Kinuyo’s The Wandering Princess (1960), Alejandra Armendáriz-Hernández; 7: Panpan Girls, Lesbians and Postwar Women’s Communitites: Girls of Dark (1961) as Women’s Cinema, Yuka Kanno