Acknowledgements
Introduction: On Transforming Our Social Imaginary
PART ONE: THIS IS THE WAY THE WORLD ENDS IN ANCIENT TIMES
1. Lessons Amongst the Ruins; Or, What Survives and Why: How the Cultural Detritus of the Ancients Can Become a Kind of First Philosophy
2. Slouching Toward Kurukshetra: A Brief Look at the Mahabharatas of Bhasa, Bharati, and Brook
3. Diasporas Old and New: What Euripides' Children of Herakles Can Tell Us About the Coming Climate Wars and Resulting Refugee Crisis
PART TWO: THIS IS THE WAY THE WORLD ENDS IN THE AGE OF FAITH
4. Noahs, Arks, and Floods: Why Medieval Mystery Plays Still Have Something to Say About Our Modern Day “End of Days”
5. Shipwrecks, Recursion, and the Necessity of Deep Ecology: Surviving Shakespeare’s The Tempest and the Breaking of Our Anthropocene Ways
6. On Earthquakes and Metaphors: Bouilly’s Disaster of Lisbon and the Fukushima Variation
PART THREE: THIS IS THE WAY THE WORLD ENDS IN MODERN TIMES
7. Plague’s Threat to Our Immune and Belief Systems: A Look at Pushkin’s A Feast in the Time of Plague
8. A Canary in the Bourgeois Coal Mine, Part One: Pollution and Direct Critique in Ibsen’s An Enemy of the People
9. A Canary in the Bourgeois Coal Mine, Part Two: Denial and Indirect Critique in Chekhov’s The Cherry Orchard
PART FOUR: THIS IS THE WAY THE WORLD ENDS NOW
10. Ethics During Dark Times: Brecht’s He Who Says Yes and He Who Says No
11. On the Other Side of the Apocalypse: The Broken Worlds of Beckett and Bond
12. Nostalgia for the Future: The Fraught Tomorrows of Rivera, Churchill, Washburn, and Kushner
Coda: And in the End
Notes
Index