1. Spatial Literary Studies in China: A Brief History
2. An Exploration of the Problems of Space and Spatialization
3. Mobility Studies: A New Direction in Spatial Literary Studies
4. Developing the Chinese Academic Map Publishing Platform
5. Space: The Keyword of Art History Study
6. The Attributes of British and American Literary Maps: An Exploration
7. Spatial Narrative in Fiction: “Spatialization” of Fiction Narrative
Part II Studies in Literary Geography
8. The Construction of Academic System in a New Literary Geography
9. Regional Aesthetics and the Historical Formation of the Image of Jiangnan in the Literature of Six Dynasties
10. American National Parks: Symbolic Landscapes
11. Walking Landscape: Spatial Experience and Imagination of Modernity in the Overseas Travelogues in the Late Qing Dynasty
12. Introducing Literary Geography to the History of Chinese Literature
13. Spatial Metaphors and the Literary Cartography of Shanghai in Modern Chinese Novels
Part III Geocritical Studies and Textual Analysis
14. The Middle Place: Mediation and Heterotopia in Nick Joaquín’s The Woman Who Had Two Navels
15. Lewis’s Babbitt, Literary Maps, and the Production of Space in American Cities
16. Pretext, Embedded-Text, Subtext: On the Landscape Narratives of Willa Cather’s One of Ours
17. Embedded Geographies in GUO Pu’s “River Fu”
18. The Source of the Terror: Interpreting the Liminal Space in Carson McCullers’s The Heart Is a Lonely Hunter
19. Antebellum Literary Cartography and the Construction of an American Oceanic Space
Ying Fang is Professor of Comparative Literature and the World Literature at Zhejiang Gongshang University, Zhejiang China. She is the author of Spatial Narrative in Fiction (2017) and the translator of Spatiality by Robert T. Tally Jr. (2021). She is also a poet, who has published a collection (co-authored with Xuezheng Zhong, her husband) Walking and Singing (2019).
Robert T. Tally Jr. is Professor of English at Texas State University. His recent books include For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism and Topophrenia: Place, Narrative, and the Spatial Imagination.
Spatial Literary Studies in China explores the range of vibrant and innovative research being done in China today. Chinese scholars have been exploring spatially oriented literary criticism in two different and mutually reinforcing directions: the first has focused on the study of Western literature, especially U.S. and European texts and theory, and the second has examined Chinese cultures, texts, and spaces. This collection of essays demonstrates Chinese scholars’ insightful interpretation, evaluation, and innovative application of international spatial analyses, theories, and methodologies, as well as their inspiring exploration and reconstruction of distinctively Chinese critical and theoretical discourses. For the first time in English, the essays in this volume demonstrate the vitality of literary geography, geocriticism, and the spatial humanities in China in the twenty-first century.