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Popular Journalism in Contemporary China

ISBN-13: 9783031405297 / Angielski / Twarda / 2023

Chengju Huang
Popular Journalism in Contemporary China Chengju Huang 9783031405297 Springer International Publishing - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Popular Journalism in Contemporary China

ISBN-13: 9783031405297 / Angielski / Twarda / 2023

Chengju Huang
cena 483,04
(netto: 460,04 VAT:  5%)

Najniższa cena z 30 dni: 462,63
Termin realizacji zamówienia:
ok. 16-18 dni roboczych.

Darmowa dostawa!
inne wydania

This book, the first of its kind, investigates the historical trajectory and current situation of popular journalism in the People's Republic of China. Taking a popular cultural perspective, the book redefines “popular journalism” as a particular journalistic genre and media form and applies it to conceptualize popular journalism in the Chinese context. In particular, it examines how the dynamic and complex interplay of politics, the market, culture, and communication technology in shifting contexts has shaped the changing landscape of popular journalism in contemporary China. Meanwhile, regardless of how these factors might have changed over time, the fundamental nature of popular journalism as a source of fun and a troublemaker against elite powers in China, as in other places, has remained. The book further argues that the historical development of popular journalism in China forms an important and integral part of the country's social-cultural fabric and ultimately illustrates the mediated ideological and cultural struggle between popular/public and elite/state discourses in the country’s everyday social life in its challenging and discursive transition to modernity.   

Kategorie:
Nauka, Socjologia i społeczeństwo
Wydawca:
Springer International Publishing
Seria wydawnicza:
East Asian Popular Culture
Język:
Angielski
ISBN-13:
9783031405297
Rok wydania:
2023
Waga:
0.40 kg
Wymiary:
21.0 x 14.8
Oprawa:
Twarda
Dodatkowe informacje:
Wydanie ilustrowane

1: Introduction: Understanding popular journalism in China.- 2: Mao’s war on popular journalism (1950s-1970s).- 3: The day starts at 3.00pm: Evening newspapers and soft journalism (1980s).- 4: The tabloid decades: The rise and reign of popular journalism (1990s-2000s).- 5: The struggle for a popular critical journalism under one-Party rule.- 6: The power and limits of nationalistic popular journalism.- 7: The paradox of popularity: Popular Citizen journalism in the era of new/social media.- 8: Propaganda advances, popular journalism retreats (since the 2010s).- 9: The uncertain future: Popular journalism and China dream.

Chengju Huang (PhD) is senior lecturer in the School of Media and Communication, RMIT University, Australia. His research interests include Asian/Chinese media studies, international communication, and comparative media systems. Among other publications, his work has appeared in top international journals such as Journal of Communication, Journalism Studies, Journalism: Theory, Practice and Criticism, and The International Communication Gazette.

This book, the first of its kind, investigates the historical trajectory and current situation of popular journalism in the People's Republic of China. Taking a popular cultural perspective, the book redefines “popular journalism” as a particular journalistic genre and media form and applies it to conceptualize popular journalism in the Chinese context. In particular, it examines how the dynamic and complex interplay of politics, the market, culture, and communication technology in shifting contexts has shaped the changing landscape of popular journalism in contemporary China. Meanwhile, regardless of how these factors might have changed over time, the fundamental nature of popular journalism as a source of fun and a troublemaker against elite powers in China, as in other places, has remained. The book further argues that the historical development of popular journalism in China forms an important and integral part of the country's social-cultural fabric and ultimately illustrates the mediated ideological and cultural struggle between popular/public and elite/state discourses in the country’s everyday social life in its challenging and discursive transition to modernity.  

 



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