Politics and Form in Postmodern Poetry: O'Hara, Bishop, Ashbery, and Merrill

ISBN-13: 9780521496070 / Angielski / Twarda / 1995 / 236 str.

Konuk Mutlu Blasing; Mutlu Konuk Blasing; Albert Gelpi

Opis

Approaching post-World War II poetry from a postmodern critical perspective, this study challenges the prevailing assumption that experimental forms signify political opposition while traditional forms are politically conservative. It defines postmodern poetry as a break with modernism's valorization of technique and its implicit collusion with technological progress. It shows how four major postwar poets Frank O'Hara, Elizabeth Bishop, John Ashbery, and James Merrill cannot be read as politically conservative because formally traditional or as culturally oppositional because formally experimental. All these poets acknowledge that no one form is more natural than another, and no given form grants them a superior position for judging cultural and political arrangements. Their work plays an important cultural role precisely by revealing how meanings and values do not inhere in forms but are always and irreducibly rhetorical.

Spis treści

1. Introduction: poetry after Modernism; 2. Frank O'Hara: 'How Am I to Become a Legend?'; 3. Elizabeth Bishop: 'Repeat, Repeat, Repeat; Revise, Revise, Revise'; 4. John Ashbery: 'The Epidemic of the Way We Live Now'; 5. James Merrill: 'Sour Windfalls of the Orchard Back of Us'.