Modernist Poetics in China

ISBN-13: 9783031009150 / Angielski / Miękka / 2023

Tiao Wang;Ronald Schleifer

Opis

This book examines organizations of consumerist economics, which developed at the turn of the twentieth century in the West and at the turn of the twenty-first century in China, in relation to modernist poetics. Consumerist economics include the artificial “person” of the corporation, the vertical integration of production, and consumption based upon desire as well as necessity. This book assumes that poetics can be understood as a theory in practice of how a world works. Tracing the relation of economics to poetics, the book analyzes the impersonality of indirect discourse in Qian Zhongshu and James Joyce; the impressionist discourses of Mang Ke and Ezra Pound; and discursive difficulty in Mo Yan and William Faulkner.  Bringing together two notably distinct cultures and traditions, this book allows us to comprehend modernism as a theory in practice of lived experience in cultures organized around consumption. 

Spis treści

1 Introduction Gai 改: Modernity as Change—Introductory Notes on Culture, Enlightenment Modernity, Western Capitalism, Complexity, Semantic Overlap, and Philological Philosophy

2 Shi Chang Jing Ji 市场经济: Market Economy—Modernity, Consumerist Economics, and Chinese Literature Since 1978

3 Xian Feng 先锋: Economies of Meaning—Semiotics, the Avant-Garde, and Consumerist Economics

4 Che Dan 扯蛋: The Bathos of High Literary Modernism—Qian Zhongshu’s Fortress Besieged and Performances of Literary Joking

5 Zhou 周: The Sublime Poetics of Literary Modernism—Luminous Detail and the Pursuit of Immanence in the Poetry of Mang Ke

6 Kun Nan 困难: The Difficulty of Clan and Ethics in Literary Modernism—Faulkner’s The Sound and the Fury and Mo Yan’s Big Breasts & Wide Hips

7 Afterword Fei Jian Dan 非简单: A Concluding Note—The Non-simplicities of Culture

O autorze

Tiao Wang is Associate Professor of English Language and Literature at the School of Foreign Languages, Harbin Institute of Technology, China. She has published 23 articles, 9 of which are in English, focused on American and European modernism.  She is also co-translator of Yong Bao Teng Tong (2017), a translation of Pain and Suffering by Ronald Schleifer (2014). 

Ronald Schleifer is George Lynn Cross Research Professor and Adjunct Professor of Medicine at the University of Oklahoma, USA.  His publications in literary modernism include Modernism and Time: The Logic of Abundance in Literature, Science, and Culture, 1880–1930  (2000), Modernism and Popular Music (2011), and A Political Economy of Modernism: Literature, Post-Classical Economics, and the Lower Middle-Class (2018). 

Blurb

This book examines organizations of consumerist economics, which developed at the turn of the twentieth century in the West and at the turn of the twenty-first century in China, in relation to modernist poetics. Consumerist economics include the artificial “person” of the corporation, the vertical integration of production, and consumption based upon desire as well as necessity. This book assumes that poetics can be understood as a theory in practice of how a world works. Tracing the relation of economics to poetics, the book analyzes the impersonality of indirect discourse in Qian Zhongshu and James Joyce; the impressionist discourses of Mang Ke and Ezra Pound; and discursive difficulty in Mo Yan and William Faulkner.  Bringing together two notably distinct cultures and traditions, this book allows us to comprehend modernism as a theory in practice of lived experience in cultures organized around consumption. 

Tiao Wang is Associate Professor of English Language and Literature at the School of Foreign Languages, Harbin Institute of Technology, China. She has published 23 articles, 9 of which are in English, focused on American and European modernism.  She is also co-translator of Yong Bao Teng Tong (2017), a translation of Pain and Suffering by Ronald Schleifer (2014). 

Ronald Schleifer is George Lynn Cross Research Professor and Adjunct Professor of Medicine at the University of Oklahoma, USA.  His publications in literary modernism include Modernism and Time: The Logic of Abundance in Literature, Science, and Culture, 1880–1930  (2000), Modernism and Popular Music (2011), and A Political Economy of Modernism: Literature, Post-Classical Economics, and the Lower Middle-Class (2018).