This open access book presents the first detailed study of one of the most important masterpieces of Renaissance cartography, Martin Waldseemüller’s Carta marina of 1516. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way.
In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations.
Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography.
1.2. Comparing and Contrasting the 1507 and 1516 Maps
1.3. Waldseemüller’s Textual Sources on the Carta marina
1.4. The Carta marina’s Iconographical Program, and its Sources
1.5. The Development of Waldseemüller’s Cartographic Thought
1.6. Evidence for the Diffusion of the Carta marina
2. Transcription, Translation, and Study of the Legends
Sheet 1. North America, Caribbean, North Atlantic
Sheet 2. Newfoundland and Europe
Sheet 3. Northern Asia
Sheet 4. Northeastern Asia
Sheet 5. Northern South America and the Caribbean
Sheet 6. Western Africa
Sheet 6A. Western Africa
Sheet 7. East Africa, the Red Sea, Arabia, and the Western Indian Ocean
Sheet 8. Southern India and Southeast Asia
Sheet 9. Cartouches in the Map’s Southwest Corner
Sheet 10. Southern South America and the South Atlantic
Sheet 11. Southern Africa and the Southwestern Indian Ocean
Sheet 12. The Southern Indian Ocean
Chet Van Duzer is a Researcher in Residence at the John Carter Brown Library and a board member of the Lazarus Project at the University of Rochester, which brings multispectral imaging to cultural institutions around the world. He has published extensively on medieval and Renaissance maps; in 2018 his book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence was published by Springer. His recent NEH-Mellon project at the Library of Congress was a study of the annotations in a heavily annotated copy of the 1525 edition of Ptolemy’s Geography; and last year he completed a David Rumsey Research Fellowship at Stanford and the John Carter Brown Library studying Urbano Monte’s manuscript world map of 1587. His current project is a book about cartographic cartouches.
This open access book presents the first detailed study of one of the most important masterpieces of Renaissance cartography, Martin Waldseemüller’s Carta marina of 1516. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way.
In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations.
Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography.