ISBN-13: 9780820463858 / Angielski / Twarda / 2006 / 368 str.
John Barth s eminence as a postmodernist is indisputable. However, much of the criticism dealing with his work is prompted by his own theories of -exhaustion- and subsequent -replenishment, - leaving his writing relatively untouched by theories of postmodernism in general. This book changes that by focusing on the relationship between Barth s aesthetic and the ideology critique of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. Examining Barth s metafictional parodies in the light of theories of space and subjectivity, Clavier engages the question of ideology critique in postmodernism by offering the montage as a possible model for understanding Barth s fiction. In such a light, postmodernism may well be perceived as a mimesis of reality, particularly a recognition of the collective nature of self and the world."