AcknowledgementsNote on Style and SourcesList of Figures
1. The Return of the Grotesque
2. The Science of Berlin Dada: Salomo Friedländer, Walter Benjamin, and the Grotesque
3. The Architectonics of Public Science: “Learning to See” in Rudolf Virchow’s Museum of Pathology
4. Sexuality ad oculos: Sigmund Freud and Magnus Hirschfeld Meet Til Brugman’s “Celluloid Children”
5. The Optics of Evidence: Photography and Vision in Berlin Anthropology
6. Visual Objectivity Meets Impossible Object: Hannah Höch “From an Ethnographic Museum” Photomontages
7. Learning to See Grotesquely
Coda: Toward a Critique of the Dogma of Visuality
BibliographyIndex