'[Goethe's Faust] is a stimulating and illuminating anthology.' Christian Weber, Florida State University
Introduction Hans Schulte; Part I. Modernity: 1. Faust – today Albrecht Schöne; 2. Mephisto and the modernization of evil Rolf-Peter Janz; 3. Mephisto is the devil – or is he? Peter Huber; 4. 'Schwankende Gestalten': virtuality in Goethe's Faust Ulrich Gaier; 5. Amnesia and anamnesis in Goethe's Faust Wolf-Daniel Hartwich; 6. Cagliostro and Saint-Simon in Goethe's Faust II Hans-Jürgen Schings; 7. Faust's blindness Eberhard Lämmert; 8. From Faust to Harry Potter: discourses of the centaurs Gisela Brude-Firnau; 9. Mistra and the Peloponnes in Goethe's Faust II Wilhelm Blum; 10. Goethe and the grotesque: the 'classical Walpurgis night' Angela Borchert; 11. Redefining classicism: antiquity in Faust II Ernst Osterkamp; 12. Mephisto, the angels, and the homoerotic in Faust II W. Daniel Wilson; Part II. Theatre: 13. Goethe's Faust: theatre, meta-theatre, tragedy Martin Swales; 14. Faust beyond tragedy: hidden comedy, covert opera Dieter Borchmeyer; 15. Theatricality and experiment: identity in Faust Jane Brown; 16. Rhetorical action: Faust between rhetoric, poetics, and music Helmut Schanze; 17. Directing Faust: an interview Peter Stein; 18. A contradictory whole: Peter Stein stages Faust Dirk Pilz; 19. Rethinking and staging Faust at the State Theatre Stuttgart, 2005/6 Jörg Bochow; 20. Strehler's Faust in performance Laura Caretti; Select bibliography.
