Cosmology and the Polis: The Social Construction of Space and Time in the Tragedies of Aeschylus

ISBN-13: 9781107009271 / Angielski / Twarda / 2012 / 380 str.

Richard Seaford

Opis

This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure and uncovers various such chronotopes in the Homeric Hymn to Demeter and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis notably reciprocity, collective ritual, and monetised exchange. In particular, the tragedies of Aeschylus embodies the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth."

Recenzje

'The five parts of this ambitious book examine the chronotopes in Homer and archaic Athenian society, money and ritual in the Dionysiac festival, the chronotopes in Aeschylus's plays … the unity of opposites in Aeschylus's theology and Heraclitus's cosmology, and the sociocultural implications of the Pythagorean way of life and Pythagorean opposites in Aeschylus's Oresteia. This brilliant study opens up new vistas on old problems.' J. Bussanich, Choice Review

Spis treści

Introduction; Part I. The Social Construction of Space, Time and Cosmology: 1. Homer: the reciprocal chronotope; 2. Demeter Hymn: the aetiological chronotope; 3. From reciprocity to money; Part II. Dionysiac Festivals: 4. Royal household and public festival; 5. Aetiological chronotope and dramatic mimesis; 6. Monetisation and tragedy; Part III. Limit and the Unlimited in Confrontational Space: 7. Telos and the unlimitedness of money; 8. Suppliants; 9. Septem; 10. Confrontational space in Oresteia; 11. The unlimited in Oresteia; 12. Persians; Part IV. The Unity of Opposites: 13. Form-parallelism and the unity of opposites; 14. Aeschylus and Herakleitos; 15. From the unity of opposites to their differentiation; Part V. Cosmology of the Integrated Polis: 16. Metaphysics and the polis in Pythagoreanism; 17. Pythagoreanism in Aeschylus; 18. Household, cosmos and polis; Appendix: was there a skēnē for all the extant plays of Aeschylus?