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Conjugal Relationships in Chinese Culture: Sino-Western Discourses and Aesthetics on Marriage

ISBN-13: 9789811998409 / Angielski

Chi Sum Garfield Lau; Kelly Kar Yue Chan
Conjugal Relationships in Chinese Culture: Sino-Western Discourses and Aesthetics on Marriage Chi Sum Garfield Lau Kelly Kar Yue Chan 9789811998409 Springer - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Conjugal Relationships in Chinese Culture: Sino-Western Discourses and Aesthetics on Marriage

ISBN-13: 9789811998409 / Angielski

Chi Sum Garfield Lau; Kelly Kar Yue Chan
cena 562,23
(netto: 535,46 VAT:  5%)

Najniższa cena z 30 dni: 501,19
Termin realizacji zamówienia:
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Dostawa w 2026 r.

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This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.

This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.

Kategorie:
Nauka, Socjologia i społeczeństwo
Kategorie BISAC:
Social Science > Ethnic Studies - Asian Studies
Literary Criticism > Asian - General
Philosophy > Filozofia wschodu
Wydawca:
Springer
Seria wydawnicza:
Chinese Culture
Język:
Angielski
ISBN-13:
9789811998409

Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture

 

Chapter 1:

Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji

Chan, Kar Yue Kelly (PhD)

Associate Professor, Hong Kong Metropolitan University, Hong Kong SAR.

kkychan@hkmu.edu.hk

 

Chapter 2:

A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power

Chik, Hin Ming Frankie

PhD Candidate in East Asian Languages and Civilizations, Arizona State University, USA.

frankiechik@gmail.com

 

Chapter 3:

Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media

Mao, Peijie (PhD)

Associate Professor of Chinese, ShanghaiTech University, China

pegmao@icloud.com

 

Chapter 4:

‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s
Wong, Tin Kei (PhD)

Lecturer, Department of Asian Studies, School of Social Sciences, Faculty of Arts, The University of Adelaide, Australia.

tinkei.wong@adelaide.edu.au

 

 

Chapter 5:

Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York”

Lau, Chi Sum Garfield (PhD)

Assistant Professor, Hong Kong Metropolitan University, Hong Kong SAR.

cslau@hkmu.edu.hk

 

 

Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms

 

Chapter 6:

Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage

Lee, Enid (PhD)

Professor, Dept. of British & American Language & Culture

Okinawa International University, Japan.

e.lee@okiu.ac.jp

 

Chapter 7:

A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards

Ho, Amic G. (PhD)

Assistant Professor, Department of Creative Arts, Hong Kong Metropolitan University, Hong Kong SAR.

amicgho@hkmu.edu.hk

 

Chapter 8:

Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation

Blix, Bjoern Aage C.

PhD Candidate, Department of Chinese and History, City University of Hong Kong, Hong Kong SAR.

blix1990@hotmail.com

 

Chapter 9:

Happily Ever After? Rethinking Marriage in Contemporary Hong Kong

Wan, Shun Yu Nicola Ulaan

PhD Candidate, City University of Hong Kong, Hong Kong, Hong Kong SAR.

nicoyu@live.hk

Lau, Chi Sum Garfield obtained her Ph.D. in English Language and Literature from Hong Kong Baptist University. She is Assistant Professor in Hong Kong Metropolitan University. She is responsible for courses in English Language and Literature at both undergraduate and postgraduate levels. Her areas of interest include modernism, psychoanalytic criticism, and comparative studies.

 

Chan, Kar Yue Kelly completed her undergraduate degree and her master's degree both in the discipline of Translation and Interpretation at the City University of Hong Kong. She then finished her Ph.D. in Classical Chinese Literature at the University of Edinburgh, UK. She is currently Associate Professor in language and translation at Hong Kong Metropolitan University, teaching undergraduate and postgraduate courses on culture and translation, and literary translation. Her research interests include literary translation, women's studies in classical Chinese society, classical Chinese literature (poetry), and translation of Cantonese opera.


This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.



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