A Theatre of Affect: The Corporeal Turn in Samuel Becketts Drama

ISBN-13: 9783838210681 / Angielski / Miękka / 2017 / 216 str.

Charlotta Palmstierna Einarsson;Paul Stewart

Opis

Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Becketts drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the human, by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Becketts theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Becketts drama therefore has far-reaching implications for the production of meaning in his work.

O autorze

Charlotta P. Einarsson received her PhD from Stockholm University (Mis-Movements: The Aesthetics of Gesture in Samuel Beckett's Drama), but she also has a degree in professional dance from the Ballet Academy (Stockholm) and a degree in dance pedagogy, with a specialty in classical ballet, from the University College of Dance (Stockholm). Although a literary scholar, her previous experience as a dancer has continued to guide her research into the significance of the body in literature and art. Her forthcoming publications include a study on the reception of Samuel Beckett's drama in Sweden.