'As a contribution to the history of Renaissance prints, Pon's unique microhistory of the Madonna del Fuoco situates the printed image in the rich context of miracle-working images in various media, modes of enshrinement and the culture of relics, civic pride and political rivalries, monuments, chronicles and festivals, and even the practices of Renaissance fire brigades.' Evelyn Lincoln, Art in Print
Part I. Thing: 1. Iconography: Madonna and child; 2. Imprint: paper, print, and matrix; Part II. Emplacement: 3. Miracle: the fire of February 4, 1428; 4. Domestic display: Lombardino da Ripetrosa's schoolhouse; 5. Ecclesiastical enshrinement: the cathedral of Forlì; Part III. Mobilities: 6. Moving in the city: the translation of 1636; 7. Mobile in print: the procession on paper; 8. Multiplied: the Madonna of the Fire in Forlì and beyond.