Gothic Shakespeares

ISBN-13: 9780415420662 / Angielski / Twarda / 2009 / 262 str.

John Drakakis;Dale Townshend

Opis

Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth century onwards. Shakespeare s plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated.

The contributors to this volume consider:

• Shakespeare s relationship with popular Gothic fiction of the eighteenth century
• how, without Shakespeare as a point of reference, the Gothic mode in fiction and drama may not have developed and evolved in quite the way it did
• the ways in which the Gothic engages in a complex dialogue with Shakespeare, often through the use of quotation, citation and analogy
• the extent to which the relationship between Shakespeare and the Gothic requires a radical reappraisal in the light of contemporary literary theory, as well as the popular extensions of the Gothic into many modern modes of representation.

In Gothic Shakespeares, Shakespeare is considered alongside major Gothic texts and writers from Horace Walpole, Ann Radcliffe, Matthew Lewis and Mary Shelley, up to and including contemporary Gothic fiction and horror film. This volume offers a highly original and truly provocative account of Gothic reformulations of Shakespeare, and Shakespeare s significance to the Gothic.

Contributors include: Fred Botting, Elizabeth Bronfen, Glennis Byron, Sue Chaplin, Steven Craig, John Drakakis, Michael Gamer, Jerrold Hogle, Peter Hutchings, Robert Miles, Dale Townshend, Scott Wilson and Angela Wright."

Shakespeare was both influenced by and influential in the rise of the gothic in literature and culture. Shakespeare’s plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers have since emulated, adapted and appropriated.

Looking particularly, though not exclusively, at the rise of gothic fiction in the eighteenth century, the contributors argue that without Shakespeare as a point of reference the gothic mode in fiction and drama may not have evolved in the way it did. They argue that the complex dialogue with Shakespeare through the use of quotation, citation, and analogy requires to be radically appraised in the light of recent Literary Theory, and the popular extensions of the Gothic into modern modes of representation such as film.

Shakespeare is considered alongside many writers from Horace Walpole, Ann Radcliffe, Matthew Lewis, and Mary Shelley onwards and up to and including, contemporary gothic fiction and films such as Bram Stoker’s Dracula, Underworld and Buffy the Vampire Slayer. This volume offers a truly original and provocative account of Gothic reformulations of Shakespeare.

Recenzje

'...[T]he book will most certainly be of use to Shakespearean and eighteenth-century scholars and is well worth the read. Gothic Shakespeares is a pioneering foray into a vast landscape of topics; hopefully further discussions will ensue.' - Peter Paolucci, York University

Spis treści

1. Introduction - John Drakakis  2. Shakespeare’s Nocturnal World - Elizabeth Bronfen  3. Shakespeare Among the Goths - Steven Craig  4. Gothic and the Ghost of Hamlet - Dale Townshend  5. The Scene of a Crime: Fiction of Authority in Walpole’s ‘Gothic Shakespeare’ - Sue Chaplin  6. In Search of Arden: Ann Radcliffe’s William Shakespeare - Angela Wright  7. Gothic Shakespeare on the Romantic Stage - Michael Gamer and Robert Miles  8. Theatres of Blood: Shakespeare and the Horror Film - Peter Hutchings  9. ‘As one dead’: Romeo and Juliet in the ‘Twilight’ zone - Glennis Byron  10. Gothspeare and the Origins of Cultural Studies - Fred Botting and Scott Wilson  11. Afterword - Jerrold Hogle

O autorze

John Drakakis is Professor in the Department of English, University of Stirling. He has published articles, chapters and books on a wide variety of literature, drama, critical theory and cultural studies. He is also the series editor for Routledge's 'New Critical Idiom series'.

Dale Townshend is Lecturer in Gothic and Romantic Literature in the Department of English, University of Stirling. He has published many articles and co-edited several books on the Gothic.