Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth century onwards. Shakespeare s plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated.
The contributors to this volume consider:
Shakespeare s relationship with popular Gothic fiction of the eighteenth century
how, without Shakespeare as a point of reference, the Gothic mode in fiction and drama may not have developed...
Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth cent...
Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth century onwards. Shakespeare's plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated.
The contributors to this volume consider:
Shakespeare's relationship with popular Gothic fiction of the eighteenth century
how, without Shakespeare as a point of reference, the Gothic mode in fiction and drama may not have...
Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth cent...
A wide-ranging selection from the most recent criticism of Antony and Cleopatra, beginning with seminal work from the 1950s onwards, and culminating in a series of radical reappraisals of the play's content, form, and appeal to modern readers. Represented in this selection is material from the late John Danby, Terence Hawkes, Janet Adelman, Margot Heinemann, J.Neville Davies, Barbara Vincent, Ania Loomba, Phyllis Rackin, Jonathan Dollimore and Jyotsyna Singh. Together with a substantial Introduction they offer a radical reappraisal of one of Shakespeare's Major Tragedies.
A wide-ranging selection from the most recent criticism of Antony and Cleopatra, beginning with seminal work from the 1950s onwards, and culminating i...
Regularly performed and studied, Macbeth is not only one of Shakespeare's most popular plays but also provides us with one of the literary canon's most compellingly conflicted tragic figures. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.
Macbeth: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's...
Regularly performed and studied, Macbeth is not only one of Shakespeare's most popular plays but also provides us with one of the literary c...
This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its significance in the light of the critical attention that it has received during the past one-hundred and fifty years. The foundations of much contemporary thinking about Tragedy are to be found in the writings of Hegel, Nietzsche, and Kierkegaard; in addition, the dialectical tradition emanating from Marxism, and the psycho-analytical writings of Freud, have extended significantly the horizons of the subject.
With the explosion of interest...
This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its sign...