The Face of the Buddha

ISBN-13: 9780199659678 / Angielski / Twarda / 2016 / 208 str.

William Empson

Opis

Taking up a teaching appointment in Tokyo in 1931, the English poet and literary critic William Empson found himself captivated by the Buddhist sculptures of ancient Japan, and spent the years that followed in search of similar examples all over Korea, China, Cambodia, Burma, India, and Ceylon, as well as in the great museums of the West. Compiling the results of these wide-ranging travels into what he considered to be one of his most important works, Empson was heartbroken when he mislaid the sole copy of the manuscript in the wake of the Second World War. The Face of the Buddha remained one of the great lost books until its surprise rediscovery sixty years later, and is published here for the first time. The book provides an engaging record of Empson's reactions to the cultures and artworks he encountered during his travels, and presents experimental theories about Buddhist art that many authorities of today have found to be remarkably prescient. It also casts important new light on Empson's other works, highlighting in particular the affinities of his thinking with that of the religious and philosophical traditions of Asia.

Edited by the global culture historian Rupert Arrowsmith, this edition comes with a comprehensive introduction that makes The Face of the Buddha as accessible to the general reader as it is to the professional scholar, and is fully illustrated throughout with Empson's original photographs.

Recenzje

Anyone interested in Buddism or oriental art will find Empson's book fascinating, and Rupert Arrowsmith's Introduction complements it perfectly: he is Boswell to Empsonâs Johnson, faithfully following in his footsteps, elucidating his intellectual and historical context, and quite as hooked on the subject as the master himself. Occupying practically as much space as the text, it is its indispensable companion.

O autorze

Rupert Arrowsmith is an alumnus of Christ Church college, Oxford, and a fellow of the School of Advanced Study at London University. He is the author of numerous books and articles on Asian and European art and culture, and has twice been ordained as a Buddhist monk in Myanmar, where he currently resides.