Networking the Nation: British and American Women's Poetry and Italy, 1840-1870

ISBN-13: 9780198723578 / Angielski / Twarda / 2015 / 304 str.

Alison Chapman

Opis

How did nineteenth-century women's poetry shift from the poetess poetry of lyric effusion and hyper-femininity to the muscular epic of Elizabeth Barrett Browning's Aurora Leigh? Networking the Nation re-writes women's poetic traditions by demonstrating the debt that Barrett Browning's revolutionary poetics owed to a circle of American and British women poets living in Florence and campaigning in their poetry and in their salons for Italian Unification. These women poets--Isa Blagden, Elizabeth Kinney, Eliza Ogilvy, and Theodosia Garrow Trollope--formed with Barrett Browning a network of poetry, sociability, and politics, which was devoted to the mission of campaigning for Italy as an independent nation state.
In their poetic experiments with the active lyric voice, in their forging of a transnational persona through the periodical press, in their salons and spiritualist seances, the women poets formed a network that attempted to assert and perform an independent unified Italy in their work. Networking the Nation maps the careers of these expatriate women poets who were based in Florence in the key years of Risorgimento politics, racing their transnational social and print communities, and the problematic but schismatic shift in their poetry from the conventional sphere of the poetess. In the fraught and thrilling engagement with their adopted nation's revolutionary turmoil, and in their experiments with different types of writing agency, the women poets in this book offer revolutions of other kinds: revolutions of women's poetry and the very act of writing.

Recenzje

Chapman's extensive original research thus continues the decades-long efforts of scholars to bring more unknown or undervalues Victorian women's writing into the light of critical inquiry ... Chapman's [book] refines, deepens, complicates ... Networking the Nation joins the other books in carrying on the important task begun by the pioneering feminist researchers of the late twentieth century — even as their scope and diversity hint at how much we still have to learn.

O autorze

Dr Alison Chapman is an Associate Professor at the University of Victoria, Canada. She has previously taught at the Universities of Sheffield Hallam, Dundee, and Glasgow. She is the author and editor of several books on Victorian literature and culture, in particular The Afterlife of Christina Rossetti (Palgrave, 2001), and the edited collections (with Richard Cronin and Antony H. Harrison) A Companion to Victorian Poetry (Blackwell, 2002), and (with Jane Stabler) Unfolding the South: Nineteenth-Century British Women Artists and Writers in Italy (Manchester University Press, 2003). She is currently the editor of the Database of Victorian Periodical Poetry.