The String Quartet in Spain

ISBN-13: 9783034316927 / Angielski / Miękka / 2017 / 986 str.

Opis

The volume deals with the development of the String Quartet in Spain from the eighteenth century up to the present. It includes 24 studies on composers and specific works from different perspectives, and provides information about the primary and secondary sources located to date.

Spis treści

Christoph Flamm: Preface - Christiane Heine/Juan Miguel González Martínez: Introduction - José Carlos Gosálvez Lara: Fuentes documentales del cuarteto de cuerda en España (1770-c1920) - Miguel Ángel Marín: Haydn, Boccherini and the Rise of the String Quartet in Late Eighteenth-Century Madrid - Christiane Heine: Die zweite Blüte: Spanische Streichquartettproduktion im frühen 20. Jahrhundert - Germán Gan-Quesada: The String Quartet in Spain after 1960: Some Aesthetic Remarks - Christian Speck: Zum Streichquartettschaffen von Luigi Boccherini - Walter Kurt Kreyszig: Luigi Boccherini Composing his Opus ultimum under the Patronage of Spain: Inventiveness, Animation and Sensibility in the Sonata Form Movement of his Fragmentary String Quartet No. 91 in D major Op. 64 No. 2, G249 (1804) - Màrius Bernadó/José María Domínguez: João Pedro Almeida Mota: los cuartetos de un pasticheur en Madrid - Jorge Fonseca: Forma y textura en los primeros cuartetos de Manuel Canales - Marie Winkelmüller: Arriagas Verwendung des spanischen e-Modus. Ein neues Beispiel für eine ältere Tradition? - Tim S. Pack: The String Quartets of Juan Crisóstomo de Arriaga: Experiments in Form, Harmony, and Counterpoint - Stéphan Etcharry: Identidad nacionalista en el Quatuor à cordes sur des thèmes populaires basques (1905) de José María Usandizaga: del material temático a su organización formal - Florence Doé de Maindreville: Le Quatuor à cordes op. 4 (1910) de Joaquín Turina à la lumière du contexte musical parisien de l'époque - John Stokes: A Critical Edition of Conrado del Campo's String Quartet No. 8, "At the Death of his Mother" (1913): Defining the Scope of the Critical Process through the Creation of a Musically Viable Score for Interpreters - Gabrielle Kaufman: The Forgotten String Quartets (1927-1933) by Gaspar Cassadó - Itziar Larrinaga Cuadra: El Cuarteto en Sol (1936-1937) de Francisco Escudero: ¿un programa secreto? - Francisco García Álvarez: Félix Antonio: sus Cuartetos de cuerda - Torcuato Tejada Tauste: Conrado del Campo's String Quartet No. 12 in B flat major (1948): An Approach to his Compositional Technique - Desirée García Gil: El Cuarteto Indiano (1951) de Xavier Montsalvatge - Henri Gonnard: Le 3e Quatuor à cordes (1958) de Julián Bautista au sein de l'évolution du langage musical au XXe siècle: une oeuvre atonale ou « tonétique »? - Rafael Liñán Vallecillos: Ramón Barce's Quintessential String Quartet No. 5 (1978) Tomás Marco: Mis seis Cuartetos de cuerda - Alfredo Aracil: More than Composing for 4 Instruments - Benet Casablancas: Componer para cuarteto de cuerda hoy - la música de cámara en estado puro - José M. Sánchez-Verdú: Writings of Space and Memory: The String Quartet as locus amoenus

O autorze

Christiane Heine studied Musicology, Medieval History, Art History and Hispanic Philology at the Friedrich-Alexander-University of Erlangen-Nürnberg/Germany (PhD 1992). Since 1993 she holds a professorship in Music Analysis at the University of Granada/Spain. From 2012 to 2015 she coordinated a national R&D project focused on Spanish chamber music of the nineteenth and twentieth centuries.