Muzyka

Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies--possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included...

This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's Vertigo plays a crucial role in the articulation and development of the film's narrative and how it affects readings of the film. Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and Herrmann's film score for Vertigo is widely regarded as being one of his finest. Cooper considers the development of Herrmann's career up to 1958, providing a detailed discussion of his musical style. The explicit information about the structure of Herrmann's...

Offering the widest scope of any study of one of popular music's most important eras, "Songs of the Vietnam Conflict" treats both anti-war and pro-government songs of the 1960s and early 1970s, from widely known selections such as Give Peace a Chance and Blowin' in the Wind to a variety of more obscure works. These are songs that permeated the culture, through both recordings and performances at political gatherings and concerts alike, and James Perone explores the complex relationship between music and the society in which it is written. This music is not merely an indicator of the...

In this eclectic encyclopedia, author Stan Jeffries chronicles the careers of over 110 musical artists from 37 different nations. Entries include biographical information, trace the entrants' musical development, and recount the performers' critical and popular reception. A collection of photos, an index by nation, and appendices of music industry awards and standards for gold and platinum certification by country complete this one-of-a-kind resource for music fans and aficionados.

Popular music's global diversity is often overlooked in America, especially when performers...

Opera has often used classical literature as a means of expressing the most vital concerns of the period in which the operas were written. "Sing Sorrow" explores the classical roots of many noted operas, illustrating the ways in which the operas reflected the political concerns of their time through these ancient narratives. In particular, though female opera characters are often regarded as victims, they are actually quite heroic, frequently shaping their own destinies.

Each chapter provides background and historical context, examines the relationship between the opera and the original...

This comprehensive handbook details the fundamentals and forms of choral composition and expands upon the coverage and number of topics in Archibald T. Davison's 1945 classic text "Choral Composition." Historical trends in choral composition are traced with a special emphasis on the profusion of changes that occurred throughout the twentieth century, particularly since 1950. Early chapters focus on characteristics of voice, notation, text, devices, part writing, "a cappella" and instrumental accompaniments, and choral forms. Hines goes on to analyze the utilization of soloists and choruses...

The Ella Fitzgerald Companion is a celebration of the woman who is arguably musical history's greatest singer of popular. An international superstar of jazz and popular music, Fitzgerald boasted astounding versatility and sophistication that covered the entire musical spectrum, and her combination of incredible vocal flexibility, precise diction and articulation, accurate improvising skills, and a huge repertoire remains unmatched. This guide to her sixty-year career-including her recordings, her important influences, and her collaborators-offers an overview of the evolution of...

This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types...

A native of New Orleans, Louis Moreau Gottschalk (1829-1869) is widely acknowledged as the leading American piano virtuoso of the 19th century and as a composer of major significance, particularly in his ability to capture his contemporary public's taste while incorporating European, African-American, Caribbean, and South American influences. His recitals and monster concerts took this fusion of styles to hundreds of thousands of audience members internationally. Containing well over 500 annotated bibliographic citations and detailed information about Gottschalk's 300 compositions, this...

The Blue Note label is one of the most widely known and respected producers of jazz music in the world. This reference book, by noted discographer Michel Ruppli and Blue Note producer Michael Cuscuna, expands upon the previous edition and includes comprehensive documentation of personnel, recording locations and dates, and master and issue numbers for every recording made or issued by the label from its inception through the present day.

An introduction provides a synopsis of the label's genesis, history, and output. Nine sections detail each stage in the label's history, from...

George Crumb is a composer at the forefront of post-World War II American music, and never before has one volume combined a portrait of his life with a catalogue of his extensive work. David Cohen's "George Crumb: A Bio-Bibliography" corrects this by providing the reader and researcher with an overview of Crumb's life, career, and compositions; and an annotated guide to literature by and about the composer--including not only articles and books, but also album reviews, concert reviews, and interviews.

The biographical portion, written in close consultation with the subject, has resulted...

Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in...

Many books have been written about Tin Pan Alley--the colloquial name assigned to popular music before the advent of rock 'n' roll--yet little is available about the individual songs defining this enormously significant style of American music. This encyclopedia of over 1,200 songs written from the middle of the 19th century through the 1950s provides information and commentary on the music embraced by the American public.

No other single volume contains as much information on the subject. Author Thomas Hischak provides an exhaustive yet highly readable guide to the songs, their...

Covers the life and works of classical music composer, Peter Schickele, who is probably best known for his humorous alter ego, P.D.Q. Bach. Schickele has walked the line between a professional composer and musical satirist for over 35 years, and his compositions have reached into virtually every genre of music from jazz to rock to folk to movie music and to classical. The major influences in his career include his love of the theater, Spike Jones, and a philosophy that no genre of music is inherently inferior. Schickele was consulted during the compilation of this volume, therefore, much...

In this exciting new study of a largely overlooked but nevertheless extremely important figure in American music, author Allen Cohen explores the relationship between theory and practice in the works of Howard Hanson, a prominent twentieth-century composer, conductor, and educator. In Hanson's book "Harmonic Materials of Modern Music," he proffered a theory of classification of all possible pitch-class collections in the chromatic scale, showing ways of deriving larger collections from smaller ones, and demonstrating significant relationships among them. This theory anticipated in many...

In his compositions, Leroy Anderson defied the nature of typical orchestral music. His artful combination of a light, pop sound and masterful orchestration into short musical pieces has captivated audiences for years. Young and old, non-musicians and musicians alike have gravitated toward his sound. However, because of the unique nature of his work, Anderson is often overlooked in the study of American music. For the first time, an entire volume has been dedicated to the life and works of Leroy Anderson. This bio-bibliography provides a comprehensive resource for anyone interested in...

This is the first book to comprehensively cover all of the Australian piano music of the 20th century. It is lavishly illustrated with over 300 music examples, giving a very clear picture of the various composers and styles. The composers are listed within various historical and stylistic blocks as well as within consideration of their own pianistic prowess. The large number of scores will help future researchers as well as recording and concert pianists who are searching for new and exciting repertoire.

This is an invaluable book certain to appeal to music lovers, the...

Eminently readable despite the complexity of its subject, "Fugal Composition: A Guide to the Study of Bach's 48" guides the reader in studying the 48 fugues of the composer's "Well-Tempered Clavier." Author Joseph Groocock analyzes each of the fugues individually, both verbally and diagrammatically, and includes such elements as overall structure, episodes, stretto, subsidiary subjects, and countersubjects. The appendices and index furnish a ready reference for the scholar or researcher seeking information or guidance on specific points.

Meanwhile, the volume's editor supplies...

The colonial days of America marked not only the beginnings of a country, but also of a new culture, part of which was the first American music publishers, entrepreneurs, and instrument makers forging musical communities from New England to New Spain. Elements of British, Spanish, German, Scots-Irish, and Native American music all contributed to the many cultures and subcultures of the early nation. While English settlers largely sought to impose their own culture in the new land, the adaptation of native music by Spanish settlers provided an important cultural intersection. The music of...

Many describe jazz asa the one true form of American music. Arising out of the syncopated rhythms of African music, Cajun songs, and Ragtime, jazz evolved in many 'scenes' throughout the country. The Young Lions jazz movement in New Orleans spread up the Mississippi in the northern Migration. Communities such as St. Louis and Sedalia became jazz centers, while Count Bassie led a revolution in Kansas City. Chicago became a center of freewheeling jazz in the 1920s with the efforts of Jelly Roll Morton, King Oliver, and Louis Armstrong, while classic jazz and swing took root in New York City...