F. LeRon Shults explores Deleuze's fascination with theological themes and shows how his entire corpus can be understood as a creative atheist machine that liberates thinking, acting and feeling. Shults also demonstrates how the flow of a productive atheism can be increased by bringing Deleuzian concepts into dialogue with insights derived from the bio-cultural sciences of religion.
Gilles Deleuze consistently hammered away at icons, overturning pretentious images taken as true copies of ideal models. He was particularly critical of religious Figures. In What is Philosophy? Deleuze argued...

A multi-layered reading of the intersections between two of the most influential figures in contemporary philosophy
The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty, focusing on the parallels between their emphasis on the connection of earth, art and a people-to-come.
Contextualising the problematic of a people-to-come within a larger political and philosophical context of post-war thinkers of community such as Bataille, Blanchot and Nancy, Sholtz offers a creative approach to the work of these two thinkers. Deleuze's project...

Marco Altamirano critiques the modern concept of nature to chart a new trajectory for the philosophy of nature. He goes on to deploy conceptual resources excavated from Deleuze, Guattari, Foucault and Leroi-Gourhan to show how technology, which bypasses the nature-artifice distinction, is an essential dimension of the philosophy of nature.