Mohaghegh tracks the idea of 'chaos' into the contemporary philosophical and cultural imagination of the postcolonial world, exploring its vital role in the formation of an emergent avant-garde literature in the Middle East, concentrating on the writings of the twentieth-century Iranian new wave.

An examination of how the space of the downtown served dual purposes as both a symbol of colonial influence and capital in Egypt, as well as a staging ground for the demonstrations of the Egyptian nationalist movement.

Islam in the Eastern African Novel offers an idiosyncratic perspective on the sub-Saharan African novel by engaging three novelists from eastern Africa-Nuruddin Farah, Abdulrazak Gurnah, and M. G. Vassanji. Mirmotahari argues that Islam is not an incidental factor in the fiction produced by these writers, but a central presence that renews conversations about nationhood, race, diaspora, coloniality, and the novel itself as a form in a sub-Saharan African and postcolonial context.

"This book examines how the process of nation-building in Egypt helped transform Egypt from an Ottoman province to an Arabic speaking national community. Through the discussion of the life and works of the prominent writer A'isha Taymur, Hatem gives insight into how literature and the changing gender roles of women and men contributed to the definition and development of a sense of community. "

This book considers some of the Western interpretations of The Shahnameh - Iran's national epic, and argues that these interpretations are not only methodologically flawed, but are also more revealing of Western concerns and anxieties about Iran than they are about the Shahnameh.

In film studies, Iranian films are kept at a distance, as 'other, ' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.

Explores existential and political themes in Orhan Pamuk's work and investigates the apparent contradictions in an arena where Islam and democracy are often seen as opposing and irreconcilable terms. Existential themes delve into literary nuances in Pamuk that discuss love, happiness, suffering, memory and death.

This book cuts across important debates in cultural studies, literary criticism, politics, sociology, and anthropology. Meyda Yegenoglu brings together different theoretical strands in the debates regarding immigration, from Jacques Lacan's psychoanalytic understanding of the subject formation, to Zygmunt Bauman's notion of the stranger, to Etienne Balibar's reading of Hanna Arendt's notion of 'right to have rights," and to Antonio Negri's concept of the constituent and constitutive power.

Explores the urban, cosmopolitan sensibilities of Urdu poetry written in the late eighteenth and early nineteenth centuries in Lucknow. Ruth Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women's lives, and shows how it becamea catalyst for the transformation of the ghazal.

For centuries, spoken Arabic was kept separate from the language of literary expression, with poetry exclusively the domain of the latter. Today, modern Egyptian colloquial poetry is a robust, sophisticated, and versatile genre, enjoyed by millions. After the eruption of the revolutionary youth movement in Egypt on January 25th, 2011, this genre became one of the vehicles for revolutionary communications. However, it has long been neglected in the critical space. Here, Noha Radwan offers the first book-length study of the emergence, context, and development of modern Egyptian colloquial...