Examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907-1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi German camp. Haltof's fascinating book offers to English-speaking readers a wealth of new materials and sources.
Examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907-1998). Released in...
Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency.
Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature writte...
Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency.
Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature writte...
Brings together an eclectic set of literary and visual texts to reimagine the transnational potential for German-Jewish culture in the twenty-first century. Departing from scholarship that has located the German-Jewish text as an object that can be defined geographically and historically, this book redraws the maps by which transnational Jewish culture and identity must be read.
Brings together an eclectic set of literary and visual texts to reimagine the transnational potential for German-Jewish culture in the twenty-first ce...
