Matthias Koops, a pioneering inventor of new processes for making paper, published this book in 1800.

The son of a Liverpool-based printer, John Southward (1840 1902) was a prolific writer and editor of books on the subject. He edited the Printers' Register from 1886 to 1890, and his Modern Printing: A Handbook remained a standard work for apprentice printers and compositors well into the twentieth century. This dictionary of terms employed in printing offices was one of his earlier works, initially issued as a monthly serial within the Printers' Register. The resulting high demand led to the publication of a second edition in book format in 1875. Painstakingly compiled, it covers the history...

A comprehensive practical guide to the many lithographic techniques current in the nineteenth century.

William James Linton (1812 1897) was a wood-engraver, poet, prose writer and political activist, who first worked in London but emigrated to the United States in 1866. He began his wood-engraving apprenticeship at the age of sixteen under the well-known London engraver G. W. Bonner. Linton's mature work, championing the use of 'white lining' and favouring the use of horizontal engraved lines and creating tone by differing line thickness, continued in the tradition of Thomas Bewick (1753 1828), the founding figure of wood-engraving. The publication of this book in 1884 marked the culmination...

Charles Hindley (d.1893) wrote several books on British popular literature including Curiosities of Street Literature and a history of the cries of London. This book, first published in a limited edition in 1869 but here reprinted from the 1886 edition, tells the colourful story of John (1769 1813) and James (1792 1842) Catnach, the father-and-son printers who were leaders in the expanding market for cheap publications for the masses. John's contribution was to start using real paper and printer's ink instead of the cheap substitutes current at the time. He was also noted for embellishing his...

Physiologie de la Lecture and de L'Ecriture (1905) was Emile Javal's seventh book. Initially trained as an engineer, Javal turned to medicine and to ophthalmology when he saw his sister suffering from defects of vision. He became a renowned ophthalmologist, developing the Javal-Schiotz ophthalmometer, treating strabismus, and founding the Sorbonne's ophthalmology lab. Tragically, Javal developed glaucoma and was blind by 1900. His work investigates the 'physiology of reading and writing', undertaking historical, theoretical, and practical approaches to his subject. Javal's work first examines...

A Treatise on Wood Engraving, Historical and Practical (1839), combines the practical knowledge of an engraver with the critical inquiry of an historian. Compiled and edited by William Andrew Chatto, an established author with an interest in woodcuts, the book was originally conceived by the wood-engraver John Jackson, who provided the book's more than three hundred engravings. Roughly three quarters of the Treatise is concerned with the historical evolution of engraving, from the Egyptian hieroglyph stamps held at the British Museum through the masterful works of Albrecht Durer to the...

An engaging book of literary reminiscences of the London publishing world in the period between 1779 and 1853.

Samuel Squire Sprigge (1860 1937) was a qualified physician who worked for The Lancet from 1892 and was editor from 1909 until his death. He published several books including a history of the journal and its founder, and a volume of essays, Physic and Fiction. The Methods of Publishing first appeared in 1890 and is Sprigge's passionate contribution to the late-nineteenth-century discussion on how the question of literary property is best resolved. Sprigge argues that this matter is often treated in a cavalier manner that disadvantages authors, particularly in the relationship between...

First published in 1854, this biography of the printer William Caxton also covers the later history of printing in England.