Kategoria BISAC: Religion >> Indigenous, Folk & Tribal

Forty years ago, while paging through a book sent as an unexpected gift from a friend, Roger Welsch came across a curious reference to stones that were round, like the sun and moon. According to Tatonka-ohitka, Brave Buffalo (Sioux), these stones were sacred. I make my request of the stones and they are my intercessors, Brave Buffalo explained. Moments later, another friend appeared at Welsch s door bearing yet another unusual gift: a perfectly round white stone found on top of a mesa in Colorado. So began Welsch s lesson from stones, gifts that always presented themselves unexpectedly:...

- Reveals how the Bushmen are able to receive direct transmissions of God's love for healing and spiritual transformation

- Explores tribal legends and teaching tales, the importance of dreams and animals, and the origins of their dances, rituals, and ceremonies

Step into the imaginative realm of one of the oldest continuous cultures on Earth, the Kalahari Ju/'hoansi Bushmen. Translated by Beesa Boo, a Bushman, and interspersed with detailed commentary from Bradford and...

Evoking the hot, dust-filled Harmattan winds that blow from the Sahara to the Gulf of Guinea, this book creatively explores what it means to be buffeted by the unforeseen and the unknown. Celebrating the life-giving potential of people, places, and powers that lie beyond our established worlds, Harmattan connects...

Evoking the hot, dust-filled Harmattan winds that blow from the Sahara to the Gulf of Guinea, this book creatively explores what it means to be buffeted by the unforeseen and the unknown. Celebrating the life-giving potential of people, places, and powers that lie beyond our established worlds, Harmattan connects...

Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo.

Through roughly 150...

The racialized and exoticized cult of Voodoo occupies a central place in the popular image of the Crescent City. But as Kodi A. Roberts argues in Voodoo and Power, the religion was not a monolithic tradition handed down from African ancestors to their American-born descendants. Instead, a much more complicated patchwork of influences created New Orleans Voodoo, allowing it to move across boundaries of race, class, and gender. By employing late nineteenth and early twentieth-century first-hand accounts of Voodoo practitioners and their rituals, Roberts provides a nuanced understanding of...

As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yoruba god of drumming, known as Ayan in Africa and Ana in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yoruba praise name AsoroIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas.

Despite the growing volume...