Kategoria BISAC: Psychology >> Creative Ability

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the International Library of Psychology series is available upon request.

This work uses examples such as jazz improvization, chess, story writing, physics, and the music of Mozart together with computing models from the field of artificial intelligence to uncover the nature of human creativity in the arts, science and everyday life.

How is it possible to think new thoughts? What is creativity and can science explain it? And just how did Coleridge dream up the creatures of The Ancient Mariner?
When The Creative Mind: Myths and Mechanisms was first published, Margaret A. Boden's bold and provocative exploration of creativity broke new ground. Boden uses examples such as jazz improvisation, chess, story writing, physics, and the music of Mozart, together with computing models from the field of artificial intelligence to uncover the nature of human creativity in the arts.
The second edition of...

Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:

• Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity
• defining...

Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:

• Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity
• defining...

What is genius? It is the trait, says Harold Bloom, of standing both of and above an age, the ancient principle that recognizes and hallows the God within us, and the gift of breathing life into what is best in every living person. Now, in a monumental achievement of scholarship, America's preeminent literary critic presents an unprecedented celebration of one hundred of the most creative literary minds in history. From the Bible to Socrates, through the transcendent masterpieces of Shakespeare and Dante, down through the ages to Hemingway, Faulkner, and Ralph Ellison, Harold Bloom explores...

What constitutes a creative person? Different cultures have different perspectives on what it means to be creative, yet it is nearly always the American or Western perspective that is represented in the psychological literature. The goal of this handbook is to present a truly international and diverse set of perspectives on the psychology of human creativity. Distinguished international scholars have contributed to this book's chapters on the history and current state of creativity research and theory in their respective parts of the world. Much of the work discussed has never before been...

"Why is creativity so difficult? Why does it require so much courage, and exact such an exorbitant price? How does it come to possess one, to consume the person who is driven to create. And why does he continue to accept the pain, the obsessive nature of the spirit which drives her to make art?" There is an artist in each of us, and thus we are subject to artistic tyrannies-self-destructive habits that might hinder our creative processes. Our inner harmony must eventually be restored in order to continue creating. But how does one overcome these tyrannies?

"Art and Other Tyrannies: The...

The powerful techniques described in this book are designed to help you tap into and direct the creative force we all have within us, enabling you to more easily achieve your business and personal goals and gain tremendous rewards and satisfaction in every area of your life.

With the aid of over 60 mental imagining exercises and step-by-step examples, "The Empowered Mind" shows you how to: Tap into all your inner powers to attain your desired goals, from solving problems faster and making better decisions to increasing your creativity and coming up with innovative ideas Employ "mental...

Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.

AH-HA I SEE IT NOW
Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha of creativity.

Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new...

Four essays on the psychological aspects of art. A study of Leonardo treats the work of art, and art itself, not as ends in themselves, but rather as instruments of the artist's inner situation. Two other essays discuss the relation of art to its epoch and specifically the relation of modern art to our own time. An essay on Chagall views this artist in the context of the problems explored in the other studies.

First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.

Blending leading scientific research with real life experiences, Creativity and the Mind helps readers unlock their creative potential and embrace alternate ways of thinking about everyday problems.

Honorary International President of MENSA Victor Serebriakoff has created two comprehensive testssimilar to the elaborate standardized ones administered by professional psychologistsperfectly designed to measure your cognitive skills, reasoning abilities, quick-learning capability, and problem-solving proficiency. Begin with the practice quizzes to warm up, and then proceed to the actual tests, which concentrate on verbal, mathematical, and spatial relations questions. At the end of the booklet, you ll find the right answers and an explanation of how to determine your IQ from your...

This book is a structural analysis of creativity. It proposes that there are five essential, recursive, confluent macrosystems that require interconnectedness and intentional evolution for the fruition of creativity, of mastery, of self-efficacy, and of spiritual self-growth. The five systems are: (1) knowledge, (2) mental operations, (3) rich emotional worlds, (4) a sense of purpose, and (5) connecting with others. This text includes an overview of previous research on creativity, while proposing a new theory based on confluence theory, the belief that creativity is best understood as an...

This book combines the wonder and awe of human creativity with the complexity of its study. The authors advance the ?biopsychosocial' perspective as a model of the creative process. . . . This new perspective promises to further our understanding of the ?intricacies of the creative mind.' In the process of studying this book, readers may increase the probability of enhancing their own creativity.
--Richard E. Ripple, professor, educational and developmental psychology, Cornell University

In Understanding Creativity John S. Dacey and Kathleen H. Lennon offer a thorough...

Creativity and Beyond offers a wide-ranging, interdisciplinary tour of cultures past and present to examine the different ways people have conceived of "creativity" and how the common understanding of creativity is changing in the current flux of global culture. Weiner analyzes the ways in which understanding creativity is tied to broader contemporary patterns, including intellectual concerns with postmodernism; trends in the arts; the changing status of women; the power of the electronic media; multiculturalism; developments in psychology, science, and technology; and the dramatic political,...

Intrigued by history's list of "troubled geniuses,"Albert Rothenberg investigates how two such opposite conditions-outstanding creativity and psychosis-could coexist in the same individual. Rothenberg concludes that high-level creativity transcends the usual modes of logical thought-and may even superficially resemble psychosis. But he also discovers that all types of creative thinking generally occur in a rational and conscious frame of mind, not in a mystically altered or transformed state. Far from being the source-or the price-of creativity, Rothenberg discovers, psychosis and other forms...

The Nature of Creative Development presents a new understanding of the basis of creativity. Describing patterns of development seen in creative individuals, the author shows how creativity grows out of distinctive interests that often form years before one makes his/her main conributions.

The book is filled with case studies that analyze creative developments across a wide range of fields. The individuals examined range from Virginia Woolf and Albert Einstein to Thomas Edison and Ray Kroc. The text also considers contemporary creatives interviewed by the author.

...

Much work has been done on cognitive processes and creativity, but there is another half to the picture of creativity -- the affect half. This book addresses that other half by synthesizing the information that exists about affect and creativity and presenting a new model of the role of affect in the creative process. Current information comes from disparate literatures, research traditions, and theoretical approaches. There is a need in the field for a comprehensive framework for understanding and investigating the role of affect in creativity. The model presented here spells out connections...