Kategoria BISAC: Poetry >> Russian & Former Soviet Union

"It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva," writeseminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry.

Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron...

"It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva," writeseminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry.

Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron...

Hryhory Skovoroda is considered by many as the first great Slavic philosopher and poet. Written over a period stretching from the 1750s until 1785, his The Garden of Divine Songs is a unique collection of 30 poems, featuring a complex system of strophic structures and with only a few of the songs written in a traditional way. Skovoroda never repeats one and the same strophic structure; this being the case, his Garden of Divine Songs according to writer-scholar Valery Shevchuk functions as a "practical guide to the art of poetry," exemplifying...

Hryhory Skovoroda is considered by many as the first great Slavic philosopher and poet. Written over a period stretching from the 1750s until 1785, his The Garden of Divine Songs is a unique collection of 30 poems, featuring a complex system of strophic structures and with only a few of the songs written in a traditional way. Skovoroda never repeats one and the same strophic structure; this being the case, his Garden of Divine Songs according to writer-scholar Valery Shevchuk functions as a "practical guide to the art of poetry," exemplifying...

In this first ever collection of Sakha poems in our English language, the highly talented poet Natalia Kharlampieva weaves openly neo-Impressionistic threads of common heritage, communal faith and shared ethnicity, into an overall tapestry of cultural optimism. Indeed, to Kharlampieva's mind, the unique significance played by independent women (willing to endure every hardship) in these restorative endeavours clearly signals the spiritual strength of Central Asia. A lesson, moreover, she obliquely suggests the West itself still needs to learn. Of course, in Kharlampieva's case, these...

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Every aspect of life and literature is Fet's subject. But he returns time and time again to the scientific purview. Which is appropriate, as he is a biologist. But it is also extremely difficult to do, which is why there is so little poetry, in any language, which takes its inspiration in nontrivial ways from science. ... The scientific enters naturally in Victor Fet's poems, cohabits with the philosophical or imaginative view of the world. (Roald Hoffmann)